Santa Fe Art Institute
Just about a week left at the Institute. Though I pine for more regular human contact, the amount of work I’m able to get done in isolation is unparalleled. Having gotten as far as I can in the first venture I’ve tackled in Santa Fe, I’m beginning another new play that is calling for a hefty amount of research. The last project sent me into the depths of 19th Century romantic French literature, whereas this one has more the feeling of modern histories, controversial political analyses, and a healthy sprinkling of faux-non-fictional adventure narratives.
I feel very lucky to have friends of varying expertise to go to for suggestions of source material. Although I find us diverging into specialties at an alarming rate (how is it I don’t know of the financial models my friend in finance refers to?), I’m lucky to know people game to send me to the principles of Fair Use, or the latest post-colonial text shaking things up.
Other activities this last week in Santa Fe include: beginning my travel plans to Guca, Serbia next August for the 50th Anniversary of the largest Balkan brass festival in Europe, planning a Playwright Bake-Off for Orientation Week, getting into gear for my duties as Cultural Coordinator for the UCSD grad student body of 8,000, and going to see a 50 foot marionette named Zozobra burn tonight in the town plaza.


